Pedal order is always a tricky one to tackle, not least because the rules of the game are more guidelines than anything else. For every tone guru who declares that gain pedals go before the amp, and modulation effects go in the FX loop, there’ll be a guitarist breaking the rule and sounding awesome doing…
One of the great things about the Dark Triad Overdrive / Distortion Pedal is how surprisingly subtle it can be. You can even use it as a pre-amp to sculpt your tone, perhaps by boosting the mids to cut through a mix, or by using it as a high pass filter to get rid of…
So; you’ve got yourself a fantastically high gain amp (6505, TSL100, Powerball etc). Why, when you’ve got that whole world of gain available, would using an overdrive pedal with a distorted amp be a good idea? The answer is simple: to get a better quality of distortion tone. Sounds very strange, putting a little solid…
Our favourite American tone reviewer and fellow soldier of rock, The Tone King, has reviewed our very own Angel of Blues Overdrive pedal. FILL YOUR EARS: